THE GREEK THEATRE - "WHEN SEASONS CHANGE" (SUGARBUSH SB064), a brand new release out now. Their amazing 3rd album already mooted to be the album of the year 2019. An incredible album of West Coast inflected guitar Psychedelia. In a limited edition of under 300 copies on vinyl with no repress.
"... a sumptuous, cinematic-style panorama all in all, that shows The Greek Theatre to be a very capable group who, whilst in thrall to some of the great sounds that’ve gone down in the past have more than a keen sense of pushing forward and carving out space to create their own individuality, their experimentalism too very much succeeding with this, at times, totally astonishing latest effort."
(c. Psychedelicbabymag.com)
Pressed on 140gm Audiophile vinyl, in single sleeve , sealed with disc outside main cover. Disc in lined inner for extra protection.
Pre order your copy now at only £22.99 which includes free shipping.
"No, ladies and gentlemen, we are not floating in space. Rather, the haunting "Sail Away (Part Two)" reminds us that we are still "lost at sea", where this strange and magical journey all began, not drifting in the firmament, rather looking up at it, with the sun shining warmly on our faces in the daytime, but with the "nights getting cold" as the seasons change. They've managed to accomplish the near-impossible. That is to say, they've raised the already high bar that their relatively short career has already set. This, my friends, is a bona fide masterpiece." (Kent Whirlow, Terrascope review)
"Stockholm duo Sven Froberg and Fredrick Persson return with their first release since the standalone single Don't Throw Your Love Away, their third album a limited edition of just 300 vinyl copies (though you can doubtless download from Bandcamp), one of which should be in the collection of any discerning devotee of 60s West Coast psychedelia. Joined by Lars Fredrik Swahn on bass, piano and mellotron with Johan Svedmyr on drums, flautist Erik Lundin and Leo Sander and Sandra Marteleur on cello and violin, respectively, it opens with the short scurrying acoustic guitar-based instrumental Twin Larks before the chiming jangle sets in on the buoyant Laurence of Laurel Canyon. The title alone of The Post-Factual Jam rather speaks to its instrumental freak-out nature, but the strings-soothed Old Jawbone relatively calms things down with its orchestral pop clouds. Then it’s into the eight-minute opus of Bible Black Mare with its pensive bassline, moody haunted desert keyboard atmospherics and the early Neil Young-like vocal whine, the track gradually ebbing away into two minutes of ethereality and whistling....near-wordless, waves-washed track on their Lost At Sea debut, this time with lyrics, as violin and flute enrobed, crystalline pastoral psychfolk, softly dissipating into the ether in its final moments. From the outset, the duo declared that this was a project limited to four albums, and here they sing how there’s “nothing left to say”. Let’s hope not." Mike Davies / http://www.roots-and-branches.com
A GREEK THEATRE INTERVIEW by MICK DILLINGHAM:
